Sophie Winkleman couldn’t help but giggle as she spoke to the charming King Charles at today’s Royal Ascot.
Lady Frederick Windsor, 43, appeared to share a laugh with the monarch, 75, as she joined him and other royals at the penultimate day of the summer society event.
The King, 75 and Queen, 76, put on equally animated displays as they cheered on their horses alongside Princess Beatrice and her husband Edoardo ‘Edo’ Mapelli Mozzi, as well as Peter Phillips and his new girlfriend, NHS nurse Harriet Sperling.
Charles and Camilla, who led the latest carriage procession, looked in fine form as they waved at spectators this afternoon.
The King, 75, cut a dapper figure in a pale grey morning suit with a pink waistcoat and pink and blue gingham shirt.
Camilla more than matched the monarch in the style stakes, wearing a light blue suit, with her statement feathered hat caught at times by the afternoon breeze.
The couple were joined by Lord and Lady Frederick Windsor, who looked equally excited to be at the races.
Princess Beatrice, 35, donned a £2,995 Emilia Wickstead green Brita dress, teamed with a lemon clutch bag and heels.
The daughter of the Duke and Duchess of York, who is styled by Olivia Buckingham, wore Juliette Botterill ‘percher’ headwear, also in lemon, alongside Aquazzurra heels, again in a shade of pale yellow, and a matching clutch bag, also by the luxury Italian shoes and accessories label.
And husband Edo made sure he was co-ordinating with his wife, wearing a lemon waistcoat under his morning suit.
Former Prima Ballerina and Strictly Come Dancing star Dame Darcey Bussell, wearing a striking shade of magenta, also enjoyed a ride to the royal enclosure, alongside her husband Angus Forbes.
The couple chatted to the King and Queen, and at one point looked as if they might break into one of Darcey’s trademark dances.
Elsewhere, love was very much in the air as Peter Phillips put on a tactile display with his new girlfriend, NHS nurse Harriet Sperling.
Princess Anne’s son, 46, had embarked on his new romance with Harriet, who is an NHS nurse, just weeks after separating from his partner of three years.
In May, the couple spent the weekend together at the Badminton Horse Trial where they were spotted strolling hand in hand.
And the pair didn’t hold back on affections this afternoon either as they were snapped leaning into one another and sharing sweet glances.
The loved up couple shared a tender kiss as they mingled in the royal enclosure.
Wearing a similar hat to the Queen, Sophie Winkleman, aka Lady Frederick Windsor, opted for a 50s style powder blue jacket dress. The former Peep Show star was spotted chatting to Princess Beatrice and her husband Edo, alongside husband Lord Frederick Windsor.
Meanwhile, revellers attending put on their best attire, creating a beautiful sea of vibrant colours and fabrics as they showed up for day two of the Royal Ascot this morning.
As ever, flamboyant hats and gowns were front and centre as the society event in Berkshire kicked off on Friday.
Dressed to the nines, groups of classy racegoers opted to coordinate their attire for the annual occasion, rather than wearing their ensembles solo.
A band called The Tootsie Rolls proudly stepped out in the same blue and white gingham petticoat dress and donned similar fascinators.
A duo brought the sunshine to the track in Berkshire as they arrived dressed in similar yellow dresses, buttermilk-coloured heels and lemon floral headwear.
It appears there is an increasing number of pals wanting to arrive at the society event and put on a strong sartorial display.
Athlete-turned-personal-trainer Jennifer Pacey turned heads in a bright red dress paired with a Louis Vuitton bag and posed for a picture with her friend who also sported the exact shade.
A trio posed for a picture donning the same fascinator but in differing colours that incorporated what each of them was wearing.
Standards have not slipped from yesterday’s display of elegant fashion as revellers arrived dressed in all their finery.
Elsewhere, fashion designer Louise Roe kept things simple but sophisticated in a pale blue dress with corset-style detailing and a matching hat.
Television presenter Charlotte Hawkins sported an emerald green vine print white frock with a bow on the front, along with a matching pair of pointed heels.
Royal Ascot, the jewel in the crown of the UK racing calendar, started on Tuesday with the Queen Anne Stakes and will run until Saturday.
This year’s meeting will have an overall prize-money pot of £10million. This is a record amount for Royal Ascot. The minimum winnings for all eight Group 1 races will be £650,000.
It was founded by Queen Anne in 1711 after she declared Ascot ideal for ‘horses to gallop at full stretch’ and has today become a major social event as well as a sporting attraction.
For the first time in its 313-year history, Ascot Racecourse announced this year the appointment of a creative director.
British fashion designer Daniel Fletcher was responsible for the creation of the annual Lookbook and Millinery Collective in 2024, which set the style tone for the year and often inspire racegoers’ outfits.
He’s known for his classically tailored silhouettes and modern gender-fluid clothes; his Spring/Summer 2023 collection included corset designs for both men and women.
The Cheshire-born designer, whose first customer was the eccentric Harry Styles, told GQ in 2023: ‘The idea of an item of clothing being for a specific gender is such a funny one.
‘I understand that something like a bra is designed for function, but when it comes to a shirt, why would we apply gender to something like that? And for me, the same applies to the corset.’
Former One Direction member Harry whose style has included jumpsuits, feather boas, skirts and dresses, became Daniel’s first customer after buying all the boxy short-sleeved shirts from the designer’s graduate collection in 2015.
‘Harry had a huge impact on my career,’ Daniel admitted to GQ in 2020. ‘At 24 years old I couldn’t believe what was happening.’
Since then, the designer’s career has gone from strength to strength, with A-listers including James McAvoy, Robert Pattinson, Eddie Redmayne, Emma Corrin and Emerald Fennell wearing his looks.
The Central Saint Martins graduate has also designed for some of the world’s most prestigious houses including Louis Vuitton, Lanvin and JW Anderson and held the role of Artistic Director for Italian label Fiorucci between 2019 and 2023.
He was nominated for the LVMH prize in 2017, was a winner of the European Semi- Final of the International Woolmark Prize and named Breakthrough Designer of The Year in the 2020 GQ Men of The Year Awards.
After many successful seasons showing his collections on the London Fashion Week schedule, Daniel took part in Netflix’s ‘Next In Fashion’ series which saw him make it to the final.
Late 1700s
It was Beau Brummell, a close friend of the Prince Regent, who decreed that ‘men of elegance should wear waisted black coats and white cravats with pantaloons’ and this set the tone for the dress code that is still adhered to by men in the Royal Enclosure.
1830s
Queen Victoria’s visit to Royal Ascot saw her arrive in a pretty lace dress with a full bell skirt and shawl. She also started a craze for the porter bonnet, shielding the wearer from male eyes.
1890s
As the dawn of a new century arrived, fashion took on an almost celebratory tone. Skirts were less full, but silhouettes made a greater statement with angular hips and puffed sleeves. Hats were large and full of feathers and adornments.
1900s
One of fashion’s most iconic images; that of Audrey Hepburn in My Fair Lady was inspired when costume designer Cecil Beaton saw images of Black Ascot, The 1910 Royal Ascot meeting was in full mourning over the death of King Edward.
1920s
Hemlines were shorter and cuts were smaller in the 1920s reflecting a post-war generation’s rebellion against old traditions. Pearls and furs were the accessories of the day.
1950s
Christian Dior’s New Look, a small waist and full skirt, was proving popular however it was when the newly crowned Queen Elizabeth and her stylish sister Princess Margaret wore the style at Royal Ascot that it was cemented in history.
1960s
Royal Ascot’s glamorous profile elevated when Italian actress Sophia Loren was photographed in the Royal Enclosure. In modern times some of the biggest names in Hollywood and fashion have attended.
1970s
Trouser suits became more popular following their introduction to the dress code in 1971. Gertrude Shilling, The Ascot Mascot, delighted the press with her extravagant outfits. One year, one of her son David’s millinery designs outgrew the Shilling’s long-wheel-based Rolls Royce, so the hat had to follow in a van behind.
1980s
Sharp lines and bright colours took centre stage during this decade. With statement hats and pointed heels, there was little room for floaty florals in 1980s glamour.
2012
Royal Ascot officially launches its Style Guide to racegoers outlining dress code regulations for the Royal Enclosure and Queen Anne Enclosure (formally known as Grandstand).
2017
The jumpsuit is formally accepted in the Royal Enclosure Dress Code and the Queen Anne Enclosure Dress Code is extended to the new Village Enclosure.
2018
Royal Ascot introduces Style Guides for the Village Enclosure and Windsor Enclosure.
2020
Royal Ascot runs behind closed doors for the first time in the event’s history during the global COVID-19 pandemic.
2021
Navy morning suits were permitted in the Royal Enclosure.
Source: Royal Ascot
Of his latest appointment, Daniel said: ‘I’m thrilled to be appointed as Ascot’s first Creative Director and have thrown myself into the new role.
‘I’m keen to encapsulate the rich heritage of the racecourse while embracing the unique dress codes, adding a contemporary twist to bring a flair that Ascot hasn’t seen before.
‘For 2024, I want to inspire racegoers to push the boundaries with their own unique style and immerse themselves in the opportunity to embrace their own creativity – and what better occasion than Royal Ascot!
‘I’m super excited to reveal the next evolution of style direction for the world- renowned brand and can’t wait for the vision to become a reality.’
The Best of British Edit takes inspiration from Daniel’s lifelong fascination with British Heritage and features clashing stripes and ties worn with whimsical silk dresses.
He said the New Guard Edit is dedicated to the next generation of independent brands and designers, with a new take on occasion dressing.
The Conscious Edit aims to showcase how racegoers can dress up whilst thinking about the impact their fashion choices have on the environment. This includes a custom suit designed and made in London by Fletcher using a deadstock lightweight tweed.
Fletcher said the Luxury Edit is for racegoers who are looking to elevate their look and add a touch of glamour.
Some pieces included have intricate and unique elements to the designs, for example, the intarsia knits in Missoni dresses, to pleating from Zimmerman, and draping from Marc Jacobs.
Whilst the designer says you can never go wrong with a classic Top hat and Tails, the Tailoring Edit highlights other ways to incorporate tailoring into race day dressing.
The Albany Stakes, The Coronation Stakes, The Sandringham Stakes and The Duke of Edinburgh Stakes, The King Edward VII Stakes, The Palace of Holyroodhouse Stakes and the Commonwealth Cup will all take place today.